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Tessa Ransford
Tessa Ransford
Fellow at Centre for Human Ecology, 2001-03

Project Fellow, 2003/04

Fellow at Queen Margaret University, 2005-08


Tessa Ransford was born in India, educated in Scotland and has lived all her adult life in Scotland apart from eight years working in Pakistan in the 1960s.

She has published eleven books of poems since the mid-seventies, and has also led a busy working life as founder/director of the Scottish Poetry Library since it opened in 1984 until after its establishment in new premises in 1999, as founder/organiser of the School of Poets poetry workshop (1981-99) and as editor of Lines Review poetry magazine from 1988 until its final issue, number 144 in 1998. Poems, essays and articles have been published in many magazines and anthologies and in translation. She is now working as a freelance poetry adviser and practitioner, with special interest in relating poetry to those working creatively in other fields.

Tessa set up the Callum Macdonald Memorial Award to encourage the publishing of poetry in pamphlets. It organizes an annual Christmas pamphlet fair with the support of the National Library of Scotland and other sales/fairs for pamphlets throughout the year. She is helping, through Scottish PEN's education section, to open up seminars and workshops in schools on censorship and freedom of speech issues, together with the responsibilities of the professional writer in today's world. She is working with others towards establishing Edinburgh as a city of refuge for asylum-seeking writers.


Publications
Poetry of Persons, Quarto Press 1976
While it is yet Day, Quarto Press 1977
Light of the Mind, Ramsay Head Press 1980
Fools and Angels, Ramsay Head Press 1984
Shadows from the Greater Hill, Ramsay Head Press, 1987
A Dancing Innocence, Macdonald Publishers, Edinburgh 1988
Seven Valleys, Ramsay Head Press 1991
Medusa Dozen and Other Poems, Ramsay Head Press 1994
Scottish Selection, Akros Publications 1998 (reissued 2001)
When it works it feels like Play, Ramsay Head Press 1998
Indian Selection, Akros Publications 2000
Natural Selection, Akros Publications 2002
Noteworthy Selection, Akros Publications 2002
The Nightingale Question, Shearsman Books 2004
Shades of Green, Akros Publications 2005


Memberships
Saltire Society (Honorary Member)
Scottish Library Association (Honorary Member)
Scottish International PEN (President 2003-06)
Fellow of the Society of Authors
Fellow of the Institute of Contemporary Scotland
Engender
Society of Friends
Centre for Human Ecology, Edinburgh
Greenpeace


Awards
Honorary Doctorate, University of Paisley 2003
Society of Authors, Travelling Scholarship 2001
OBE 'for services to the Scottish Poetry Library' (New Year Honours 2000)
Howard Sergeant Award for services to poetry 1989
Heritage Society of Scotland annual award 1996
SAC Book Award 1980
SAC Writers' Bursary 1979
First prize in jubilee competition of the Scottish Association for the Speaking of Verse (now Poetry Association Scotland) 1974


Project Fellowship
Tessa's work as a Project Fellow was to design and run a course called 'Creative Conviction: Creative Writing Course For Activists' via the Centre for Human Ecology, Edinburgh, with colleagues Antonia Swinson and Donald Smith.

Here is a description from the course publicity:

The best lack all conviction, while the worst
are full of passionate intensity.
(Yeats: from 'The Second Coming')

"Was Yeats right? Can we find a balance so that we can use our creative skills effectively? Can writing change anything? Should writers be engaged in the public domain or should they remain 'outside the action'? Should we look for meaning in anything? What are we writing for?

More and more thoughtful people are concerned to use their skills in the service of a larger cause, perhaps to save the planet, perhaps to promote international  understanding with new ways of thinking and living that are more sustainable and just. They want to develop their skill in writing to communicate such ideas.

Not only through articles and journalism, but also through creative writing in poetry, stories, novels, it is possible to search for meaning and explore hopes for a better world. Action alone can be misinterpreted. The word is still a strong creative force.

Are we remaining silent for the wrong reasons? Is there a 'time to speak and to write'? Whether you are a writer who wants to be more of an activist or an activist who wants to do more writing, this course will help you to focus and to achieve your aims. The weekends will offer information and inspiration; the tutorials will make the opportunity to look at your work and to build up a folder of good writing in various forms. A suggested reading list will be provided."

The course ran from January to April 2004 with three full-day workshops and three sets of three intervening tutorials.

Session One  
Journalism with conviction - led by novelist, financial journalist and political activist Antonia Swinson: practical approaches and techniques for effective journalism and fiction.

Session Two  
See what I mean - poetry and prose fiction, led by Tessa Ransford and Antonia Swinson: what makes a story work?; what makes a poem go to the heart of things?

Session Three  
Story as message - storytelling and fable led by director of the Scottish International Storytelling Centre, Donald Smith: how storytelling communicates values and shifts attitudes.


Email:    wisdomfield@talk21.com
rlfwritingsupport@qmuc.ac.uk
Website:    http://www.wisdomfield.com