Donny O’Rourke speaks with Geoff Hattersley about losing and rediscovering self-belief as an artist, the pleasures of improvisation, handling midlife melancholy and the joy of that moment 'between apprehension and comprehension'.
Diana Evans takes us to a writer’s retreat in upstate New York, where she considers how race is a theme that seems imposed on black writers, obligating them to rage against racial injustice. Her characters, she says, have the right to be human first, 'to be ordinary.'
Cynan Jones considers place and authenticity in the storytelling process. 'Risk being unique or aim for palatable? That’s the choice, in writing as in wine-making.'
Marina Benjamin examines the changing role of the personal voice in contemporary memoir, celebrates the sharing of ecstatic highs and vertiginous tumbles, and notes that it’s writerly craft that lifts a work beyond mere self-pimping.
Alyson Hallett takes us to Launceston in Cornwall, home of the writer Charles Causley, in the centenary year of his birth.