Her mother’s worsening dementia made Penny Hancock realise how important it is for people to feel at home — and why so many writers identify with a specific place.
Rhiannon Tise’s fascination with abandoned buildings and derelict man-made spaces dates back to her early teens, and has inspired much of her writing. She reflects on the reasons why.
When he came to move house, Roy Bainton was faced with the painful necessity of having to get rid of hundreds of well-loved books. But how to decide which should stay and which should go?
Most writers rely to a greater or lesser extent on memory, but what exactly do our memories consist of? Rob Chapman considers the role memory has played in his writing.
After many years of scriptwriting, Kevin Clarke gave it up for history studies. The Tudor and Stuart courts, their murderous rivalries, lies, thefts and ruthless betrayals, were familiar territory to anyone who has carved a career path through the British television drama departments.
Writing, as Hemingway reminds us, is a craft in which we are all apprentices and no one becomes a master. I have an acute awareness of my need to work every day; my duty to rewrite endlessly.