In this installment of 'How I Write', we hear from Royal Literary Fund fellows about their favourite places to write, taking in everything from garden sheds to trains and foreign hotel rooms.
Alyson Hallett visits the watery landscape of the Somerset Levels, to encounter an enormous murmuration of starlings.
Tom Connolly takes us to a tiny fishing outpost in Scotland, only accessible by foot, which is where his first novel began.
Alyson Hallett speaks with Jane Draycott about the migration of stones and people, the mischief of making anonymous work, the responsibility of writing for public spaces, and writing decades later about a secret affair.
Alyson Hallett tells of how her words came to be carved in stone and laid down in a pavement in the centre of Bath.
Donny O'Rourke pens a testament to the enduring and evolving nature of Glasgow tenements, stone stoics in a city that endlessly cannibalises itself.
Alyson Hallett luxuriates in an unusual writing week that’s actually mostly dedicated to writing, with a side serving of bonfires, friends, yoga al fresco and getting enjoyably lost in the woods.
Marina Benjamin examines the changing role of the personal voice in contemporary memoir, celebrates the sharing of ecstatic highs and vertiginous tumbles, and notes that it’s writerly craft that lifts a work beyond mere self-pimping.
Alyson Hallett takes us to Launceston in Cornwall, home of the writer Charles Causley, in the centenary year of his birth.