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'E. L. Doctorow’s liberating idea that ‘writing is like driving at night in the fog. You can only see as far as your headlights, but you can make the whole trip that way.’ Whether you’re a plotter or a ‘pantser’, this is sound advice.'
Can a British or Irish playwright ever escape the influence of Samuel Beckett? Brian McAvera reveals why he put Beckett on stage as a vampire and ventriloquist’s dummy, and explains how it all stems from those troubled questions of British and Irish identity – questions that Beckett, like so many writers, tried to escape by becoming a European.
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