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18-05-2017

Cynthia Rogerson contemplates the literary spurs of exile and outsiderhood, wonders whether she would have written any novels if she’d simply stayed at home in the USA, and explains why being a writer is easier in Scotland than in California.

Brian McAvera considers what we’ve lost in favouring naturalistic, TV-esque theatre over the wider and deeper possibilities offered by non-naturalism.

ded for publication but that does not lessen their potential influence. In this miniature memoir – and fierce defence of the epistolary form – the novelist Cynthia Rogerson considers the many ways that letters she has written have affected her life and the lives of those close to her.
Wrapping herself around cables so as to sleep and brushing her teeth in cattle cars, Cynthia Rogerson rode freight from San Francisco to Salt Lake City. She reflects on how those journeys, and the strategies she developed to endure them, continue to shape her fiction.
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