All items: Edinburgh

Nick Holdstock speaks with John Siddique about living in and writing about China and the nature of the 'Chinese dream', his unexpected job cataloguing the book collection of the late Doris Lessing, and the inspiration of serendipitous finds in second-hand books.

Doug Johnstone speaks with Cherise Saywell about shifting from engineering to domestic noir via music journalism, exploring conflicted masculinity in his work, and being part of the Tartan Noir family of Scottish crime writers.

Donny O'Rourke takes us to Edinburgh in August, for a Lughnasadh harvest festival — but one of culture, not of crops.

Tiffany Murray flees the over-familiar, but still creatively disabling, complaints of a despondent writer, by escaping to the strange new world of Iceland and its music.

Laura Hird speaks with Geoff Hattersley about her beginnings as a writer of bleak and gritty short stories, the real reason her first novel was written in four different voices, and how she gave her mother a literary afterlife in ‘Dear Laura’.

Ron Butlin speaks with Kona Macphee about how he came to be a such a diverse writer, his differing experiences of writing in Scots and English, and the importance of music.

John Keay shares his diary during a week in which he lets go of a completed book and considers the next one.

Eleanor Updale speaks with Kona Macphee about 'all-ages' writing, the ills of contemporary education and the wonder of London’s underground sewers.

Ron Butlin explains the role of the Edinburgh Makar, describing how he came to the job and his varied experiences as a civic poet in the Athens of the North.

Gerry Cambridge speaks with Kona Macphee about his route into writing, living simply and the pleasures of editorship.