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John Greening speaks with Caroline Sanderson about discovering that poetry was his calling, and discusses his wide-ranging career in verse, editing and literary criticism.

'My bottom drawer is more of a recycling bin than a bottom drawer. With the knowledge that no writing is ever wasted, my intention is for nothing to stay in it forever. Instead, it serves as a temporary storage space for stories I plan to revise. '
'I score out phrases, draw connecting arrows between ideas, and play around with the position of words on the page. Using a mouse and keyboard would slow me down. I rewrite obsessively. Every few lines I'll start redrafting what I’ve written so far. '
'The advice that the editor gave, that the readers want to know more about the kestrel flying above the rainbow that you see from the mountain pass in Wales and less about what it’s like to change a tyre in the rain? They’re not wrong.'
'I think I can put my voice down to the many disciplines I’ve studied, read, and written, the genres and practices I’ve worked in. I’m constantly drawing on a bank of inspiration from a wide pool, taking what I need and leaving behind what I don’t. '

Martyn Waites speaks with Doug Johnstone about learning crime writing on the job, adopting a female pseudonym and the joys of writing daleks.

'Only we know how deeply we felt those words, how hard we clung to the belief that they would one day find a shelf in a library or bookshop. And our characters! We cannot turn them out of the house. In any case, no word is ever wasted, we’re told. '

CD Rose speaks with Ann Morgan about blurring the lines between fact and fiction, being persuaded to write a book and finding ways to commemorate geniuses whose work is never discovered.

Katie Hickman on Josephine Waggoner, the first female Native American historian, and the importance of preserving the experiences and life-stories of people whose voices have been hidden.
Nikki Sheehan recounts how she became a convert to writing by hand and explores some scientific discoveries that might explain our writing preferences.
'Writers must cast aside whichever exciting project they are now working on to go back in time, just as the reader is taking the book forward into their lives. Pity the poor writer who struggles to remember why they wrote the book in the first place. '
'Knowing your own best work rhythms will save you both from making excuses, and from expecting too much of yourself at the wrong moment. You will learn to identify quite distinct phases; when you are on song as opposed to merely competent. '
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