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‘Once upon a time there was a little girl who wanted to be a writer. She worked very hard, scribbling lots of stories. Then, one day, a fairy godagent promised to make all her dreams come true.' Ann Morgan reconciles the myth and business of being an author.

Ian Ayris speaks with Ann Morgan about the therapeutic power of storytelling, football’s role in male expression, learning to write in your own voice and discovering the joys of Shakespeare.

Roy Bainton asks whether writers improve as they age and explores the long career of a personal literary icon, Ray Bradbury.
'Cliffs populated with soldier orchids, and purple thrifts, and sea hollies. Cliffs high enough to jump from, as the withered bouquets, the teddies and football shirts tied to clifftop railings in temporary shrines, make clear.'
Leigh Russell describes writing her first historical novel and asks whether modern writers can ever recreate authentic voices from the past.
'It's a habit I don't have — re-reading. It's simply too risky. It's not the text you remember differently, but the person you were when you experienced it first.'
'Never having driven a car, I've spent a lot of my life reading on buses and trains; I read Moby Dick on a seventy-two hour bus journey from London to Athens.'
'Novels, depending on the genre, allow the reader to bring much of their own personal life to their stories, whereas plays are a different beast and rely on a great production and great acting.'
'I also aspire to read a play a day, which is unrealistic if you are a commissioned writer with a Netflix subscription, and a poem a day, which is more achievable. '

Ann Morgan retells the grand old myth about becoming a published author, then takes her editorial red pen to all of its inaccuracies.

Nicholas Murray dissects his own reluctance to call himself a writer, after an early career in journalism and despite having subsequently published more than twenty books in a huge variety of genres.

When he came to move house, Roy Bainton was faced with the painful necessity of having to get rid of hundreds of well-loved books. But how to decide which should stay and which should go?
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