All items: Ian Rankin

Mark McCrum speaks with James McConnachie about his long term background efforts in fiction, his experiences with self-publishing and how to do it properly, finding success in genre fiction and his openness to whatever comes next.

Doug Johnstone speaks with Cherise Saywell about shifting from engineering to domestic noir via music journalism, exploring conflicted masculinity in his work, and being part of the Tartan Noir family of Scottish crime writers.

Stephen Wyatt takes us to an unusual destination: the Gallifrey One convention, where participants are enthusiastic, oddly dressed, and gratifyingly appreciative of his own 30-year-old TV script.

Doug Johnstone reminds us that no completed novel lives up to what its creator initially imagined, and explains how a complete failure three books in led him to find his true writing voice.

As a former member of a rock band who has also been a music journalist, Doug Johnstone has always felt that music was essential to his writing. Here he considers other writers who have also made a career out of music — and vice versa.

Brian McCabe speaks with Geoff Hattersley about why mathematicians are a bit like artists, how something being funny doesn’t mean it’s light, and the process of imaginatively recreating the worldview of a child.

Why do some writers choose to use a name other than the one they were born with for their writing? John Pilkington looks at some of the reasons why authors throughout history have adopted pseudonyms, and wonders if it has something to do with the need to reinvent oneself.
  • 1
  • 2