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19-08-2021

Sarah LeFanu explores the question of what name(s) to use for biographical subjects, the ongoing danger ‘of not being quite critical enough’ when the subject starts to feel like a friend, and the persistent asymmetry of naming men by surname and women by first name.

Caroline Brothers investigates the issue of cultural appropriation in fiction, suggesting the right way for novelists to avoid crossing that line.

Dorothy Parker claimed the Bloomsbury set painted in circles, lived in squares and loved in triangles. Our own obsession with Bloomsbury, as Nicholas Murray points out, seems to spiral — in spite of their old school privilege and elitism. Does Bloomsbury merit our continuing regard? Or were they just a bunch of vocal, self-boosting toffs, whose artistry has been seriously overvalued?
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