Rukhsana Ahmad speaks with John Siddique about her peripatetic childhood in Pakistan, how her concern for other people motivates her to keep writing across years and genres, and how she’s avoided the constraints of the ‘post-colonial’.
Donny O’Rourke visits old haunts in Dumfries and the Borders, ghosted by the bards of Scotland’s past, for the liminal Celtic festival of Samhain.
Julian Turner considers the usefulness of imagination, not just to the writer, but also to the exile and the abused child, and suggests that metaphorical thinking may be psychologically essential.
Susan Barker speaks with Cherise Saywell about the international origins of her novels, the way her characters and storylines emerge organically as she writes and her experiences living in Japan and China.
Dipo Agboluaje explains how migrating from London to his family’s homeland of Nigeria as a young boy shaped his interest in playwriting, with inspiration along the way from diverse mythologies.
Penny Hancock wonders when it's legitimate, if your professional occupation leaves you free to manage your own time and involves an activity other people do simply for pleasure, to say that writing is your career?
Meaghan Delahunt speaks with Cherise Saywell about revolutionary beginnings, the physical nature of her writing and drafting process, being a 'citizen of nowhere' and the pressure on Australian writers to conform to Colonial perceptions of their country.
Mimi Khalvati speaks with John Greening about losing her Persian origins in an Isle of Wight boarding school, the creative benefits of constrained poetic forms, the neglected role of abstraction in English poetry and why she co-founded the Poetry School.