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‘Once upon a time there was a little girl who wanted to be a writer. She worked very hard, scribbling lots of stories. Then, one day, a fairy godagent promised to make all her dreams come true.' Ann Morgan reconciles the myth and business of being an author.
Essays help attune the ear to the music of things. But I’m still startled — and delighted — by the sheer unexpectedness of the connections that proliferate once I start to really listen to the notes that sound in the objects that catch my attention.
Paul Munden describes the challenging process of writing about the musical genius of Nigel Kennedy, and how it inspired a hybrid form for his new biographic work.
30-11-2023

CD Rose speaks with Ann Morgan about blurring the lines between fact and fiction, being persuaded to write a book and finding ways to commemorate geniuses whose work is never discovered.

Katie Hickman on Josephine Waggoner, the first female Native American historian, and the importance of preserving the experiences and life-stories of people whose voices have been hidden.
26-10-2023

Michaela Morgan speaks with Ann Morgan about becoming a reader by accident, writing for reluctant readers, using stories to unlock people and the importance of not writing down to children.

12-10-2023

Jeremy Treglown speaks with Ann Morgan about choosing biographical subjects, the fallibility of memory, trying to tell real-life stories fairly and the experience of being a critic as well as an author.

'It was always my intention to bounce between eras and genres, like Iain Banks with and without his ‘M’. Looking at Hilary Mantel’s early career, she did the same. It is possible, with sheer bloody-mindedness, to carve your own niche.'
14-09-2023

Brian Clegg speaks with Caroline Sanderson about how he brought together his parallel passions for writing and for science; explains why we can all claim to be descended from royalty; and describes the sense of wonder that he believes is integral to science writing.

I can only have one novel on the go at any given time but with creative nonfiction, I often have up to ten books that I dip in and out of! One day a prison memoir, the next an essay on Buddhist meditation, followed by a chapter on parenting a gender-creative child.
'The chances are W. G. Grace himself was born with less fuss than my opening paragraph. By lunchtime I had given him a date of birth, an address, two parents and four grandparents. In the process I had become a gibbering wreck.'
'Jo Ann Beard’s ‘The Fourth State of Matter’ reads like literary fiction but is actually a true account of a college massacre in the United States. Its genre-defying form was a revelation. It seemed to give me permission to write about the tragedy in my family.'
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