Jane Shilling speaks with Robin Blake about how learning to hunt inspired her first memoir, accepting botox in the name of art, writing without an audience in mind and moving to fiction in a new, metrics-driven publishing climate.
The great novels of the northern, working-class male experience were written in one decade-long span that ended with Barry Hines’ A Kestrel for a Knave in 1968. Paul Sayer wonders if that was really that. Could such novels still be written today? By a northern man from the succeeding, relatively comfortable generation?