Wendy Moore speaks with Catherine O’Flynn about the loss of diversity and career opportunities in journalism, historical characters who demand to be written about, and her motivation to find parallels between the past and the present.
Susan Fletcher explores the experience of outsiderhood, both physical and social, and its influence on her writing, and wonders whether readers, too, are increasingly recognising themselves in outsider protagonists.
Lucy Flannery describes how an idle moment on twitter led to her accidentally writing a novel, and how the process of doing so raised old demons about her right to be an author.
Penny Hancock speaks with John Greening about discovering dark inner places as a crime writer, inhabiting different characters, real-life story inspirations and her writing approaches and motivations.
Donny O’Rourke visits old haunts in Dumfries and the Borders, ghosted by the bards of Scotland’s past, for the liminal Celtic festival of Samhain.
Julian Turner considers the usefulness of imagination, not just to the writer, but also to the exile and the abused child, and suggests that metaphorical thinking may be psychologically essential.
Susan Barker speaks with Cherise Saywell about the international origins of her novels, the way her characters and storylines emerge organically as she writes and her experiences living in Japan and China.