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'To my parents’ credit (or detriment), they never censored anything. I loved Lois Duncan, who wrote about murderers, serial killers, witches. I loved Chuck Palahniuk’s earliest novels: Fight Club, Survivor, Invisible Monsters. I loved American Psycho. '
Nathalie Abi-Ezzi on the power of storytelling to create community, identity and belonging, and how a textile art project in London’s East End pushed the boundaries of her work.
29-09-2022

Julianne Pachico speaks with Caroline Sanderson about growing up in Colombia at an unstable and threatening time, how horror and suspense fiction have influenced her work, and how she marries the demands of teaching creative writing with those of producing her own work.

19-10-2017

Charles Boyle considers the range of circumstances that make writers stop writing, sometimes forever, and why this can be an amicable separation.

Kevin Clarke shares a cautionary tale about deliberate plagiarism in the screen-writing industries - an issue he has had to contend with not once, but at least five times.

05-10-2017

Tracey Herd speaks with Julia Copus about the prevalence of female iconography in her work, the low status of writing based on popular culture, and how the spirits of the truly gifted can live on through music, film and literature.

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