Rukhsana Ahmad speaks with John Siddique about her peripatetic childhood in Pakistan, how her concern for other people motivates her to keep writing across years and genres, and how she’s avoided the constraints of the ‘post-colonial’.
Susan Barker speaks with Cherise Saywell about the international origins of her novels, the way her characters and storylines emerge organically as she writes and her experiences living in Japan and China.
Meaghan Delahunt speaks with Cherise Saywell about revolutionary beginnings, the physical nature of her writing and drafting process, being a 'citizen of nowhere' and the pressure on Australian writers to conform to Colonial perceptions of their country.
Elanor Dymott explains how an encounter with the tangible aspects of photography, during deeply immersive research for her second novel, almost stopped her being a novelist.
Alex Martin considers whether it's better to be a man of action, or to live a more contemplative life. Or can a writer do both?