Meaghan Delahunt speaks with Cherise Saywell about revolutionary beginnings, the physical nature of her writing and drafting process, being a 'citizen of nowhere' and the pressure on Australian writers to conform to Colonial perceptions of their country.
Elanor Dymott explains how an encounter with the tangible aspects of photography, during deeply immersive research for her second novel, almost stopped her being a novelist.
Alex Martin considers whether it's better to be a man of action, or to live a more contemplative life. Or can a writer do both?
Laura Hird speaks with Geoff Hattersley about her beginnings as a writer of bleak and gritty short stories, the real reason her first novel was written in four different voices, and how she gave her mother a literary afterlife in ‘Dear Laura’.