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'They needed three additional scenes, featuring these two actors. Oh, and by the way, everyone's already on set, and they'll start shooting this new material in two hours: Go! It was the best, or certainly least stressful work I ever did for them.'
29-04-2021

Stephen Sharkey asks why anybody would want to turn a perfectly good novel into a stage play, and explains the value in turning the solitary pursuit of reading into the shared experience of theatre.

Bill Kirton considers Gustav Flaubert’s masterpiece, suggesting that its irregularities might be subversion rather than error, and spends an evening with his eponymous heroine.

Her mother’s worsening dementia made Penny Hancock realise how important it is for people to feel at home — and why so many writers identify with a specific place.
'Reading as a writer and not just as a reader is a different experience, both richer and less carefree; instead of simply enjoying the ride now you are paying attention to the mechanism that makes it possible'
23-08-2018

In ‘Writing vs Life: The Pram in the Hall’, we talk to a number of RLF writers about the challenges of balancing parenthood and a professional writing career, and whether mothers and fathers still have differing experiences in this area.

Like most writers, Linda Buckley-Archer has experienced the horror of a looming deadline. But is it better to rush to finish a piece of work, no matter what, or hold off until it is the way you want it to be? As she explains here, there is no easy answer…
01-02-2018

Horatio Clare speaks with James McConnachie about the pleasures and plights of Welsh sheep-farming, the creative criminal record of his youth, and why writers should 'live it and leave it until it's ready' when using real life as material.

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