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‘Read the masters of the past, and learn how and how not, to write. If you think independently reading others strengthens our independence rather than harming it.’
‘When I first heard a poet read, in a chemistry laboratory at Newcastle University, he was Ted Hughes; his gruff Yorkshire voice threw me onto a frosty moor.’

Julia Copus explores the way that poetry, through its control of language, can influence the perception of time.

Basir Kazmi considers the ‘stage of the mind’, and whether the real measure of a playwright is the script as written word.