‘What can you see as you look at the universe of your play? What structures are there? What natural features?’
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‘I verbalise their words aloud. I copy their physical mannerisms, and re-enact crucial scenes in the ‘You talking to me?’ mirror school of acting.’
‘I like to honour a new project by going on an adventure into it’s world. I like a sudden immersion, a baptism of fire.’
Working with a group of young carers, on a play about their experiences, Anna Reynolds discovered that working in collaboration with others – especially those with such decided views about how their lives should be portrayed – presented challenges, but also led to triumphs.