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‘What can you see as you look at the universe of your play? What structures are there? What natural features?’
‘As with exercise, if I don’t write for a few days I begin to feel flabby and on edge. It’s hard to feel at ease until I am back at it.’
‘I verbalise their words aloud. I copy their physical mannerisms, and re-enact crucial scenes in the ‘You talking to me?’ mirror school of acting.’