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‘I’m avoiding the thousand yard stare of the blank page; I’m afraid of it. This is how it is before a work has taken shape, before it’s found a life of its own.’

Elanor Dymott explains how an encounter with the tangible aspects of photography, during deeply immersive research for her second novel, almost stopped her being a novelist.

Alex Martin considers whether it's better to be a man of action, or to live a more contemplative life. Or can a writer do both?

Judy Brown considers how two decades spent as a practising lawyer have impacted her experiences and processes of writing, and considers the parallels and contrasts between the law and poetry.

Martina Evans considers her unlikely literary beginnings as the youngest of ten in a County Cork family: ‘I was known as a dreamer, a fumbler, a fool; if I was so busy dreaming, how did I notice so many things? My family asked this question too, even then.’