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Cynan Jones speaks with James McConnachie about writing as a kind of imaginative remembering, the act of taking a novel from ninety to thirty thousand words in a single cut, and why it’s good to have more abandoned books in drawers than published ones on the shelf.

Diana Evans takes us to a writer’s retreat in upstate New York, where she considers how race is a theme that seems imposed on black writers, obligating them to rage against racial injustice. Her characters, she says, have the right to be human first, 'to be ordinary.'

Cynan Jones considers place and authenticity in the storytelling process. 'Risk being unique or aim for palatable? That’s the choice, in writing as in wine-making.'

‘Recording these things as I look at them and telling you about them as exactly as I can gives me a deep pleasure. I think that is why I started writing.’