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Anna Wilson reflects on her writerly beginnings, how she found the confidence to call herself a writer, and the circularity of her career.
‘A photograph is often very revealing. I’ve written an entire novel based on a photograph album owned by the adjutant and commander of Auschwitz.’

Mahendra Solanki speaks with Amanda Whittington about the meaning of ‘home’ in his poetry, the legacy of violence in his childhood, the vital role of libraries and the crucial difference between ‘writing and therapy’ and ‘writing as therapy’.

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