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Catherine O'Flynn is surprised by the dearth of literature about car boot sales, the ideal place to take your internal apocalpysometer for a spin.

Stuart Walton recalls the Pleasureland Fairground, home of ‘The Rides’, an experience that grew with him and his sister throughout their youth.

Donny O’Rourke visits old haunts in Dumfries and the Borders, ghosted by the bards of Scotland’s past, for the liminal Celtic festival of Samhain.

Julian Turner considers the usefulness of imagination, not just to the writer, but also to the exile and the abused child, and suggests that metaphorical thinking may be psychologically essential.

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