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‘A new feeling emerges, a desire to bear witness to the dignity and passion of our human lives. To write with as much simple presence and transparency as possible.’
‘I wrote more to occupy my time and because writing was an activity suited to my hyperactive imagination and love of language, than to learn about Japan.’

Kevin Clarke speaks with Frances Byrnes about playwriting as an essential dramatic apprenticeship, completing his education as an adult, and how his dramatic subjects choose him, rather than the other way around.