‘Ted Hughes went on to stress how important it was to keep my creative energies at top pressure by living a bit uncomfortably, with a final dependence on writing.’
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‘Writing poetry is about tuning in; language is the necessary crystal. Find the wavelength and everything connects with everything.’
Jonathan Tulloch, in his final seasonal piece of the series, revisits a child’s Christmas in Cumbria, with a stray appearance of Saxon the family dog, a big black bible plucked from a Dylan Thomas sky, and an orange bulging in a rugby sock like an anaconda’s meal.
Louise Foxcroft, David Stuart Davies and Alicia Foster share 'the best advice I ever received'.
‘If I move to my laptop too soon I find it cuts off experiment and somehow ‘sets’ the poem in a way that makes if harder to make fundamental changes.’