Skip to content

You might also like:

Lucy Flannery confesses to an out-of-control obsession with stationery, explaining that every notebook and index card has a role in her creative process and reminding us that nothing is ever really thrown away when you’re a writer.

Alexandra Benedict considers the many different modes of sensory perception (including her own intriguing experience of synaesthesia), and explores how the senses can make their way into writing.

‘Regardless of when I went to bed, I was awake by five a.m., exhausted, and with the feeling I’d lost a violent fight. ‘
‘I viewed myself as split in two, and yet this duality became my career, as I started translating German plays for British theatre.’
Back To Top