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‘Planning and plaiting the story strands can seem like just more hardcore displacement activity, until you don’t do it.’

Kevin Clarke speaks with Frances Byrnes about playwriting as an essential dramatic apprenticeship, completing his education as an adult, and how his dramatic subjects choose him, rather than the other way around.

‘Inspired or not, work had to be delivered. Caught in a game of double dare with deadlines I seldom blinked, even when they seemed impossible to beat. ‘