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Lucy Flannery confesses to an out-of-control obsession with stationery, explaining that every notebook and index card has a role in her creative process and reminding us that nothing is ever really thrown away when you’re a writer.

Alexandra Benedict considers the many different modes of sensory perception (including her own intriguing experience of synaesthesia), and explores how the senses can make their way into writing.

‘Be original. Think of the obvious and then go in the opposite direction. Be open to surprises, challenge yourself, inspire yourself.’
‘I’d be focussed when I wrote. I’d stop being self conscious. I wrote to make myself present and at the same time, to disappear.’
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