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Elanor Dymott explains how an encounter with the tangible aspects of photography, during deeply immersive research for her second novel, almost stopped her being a novelist.

Alex Martin considers whether it's better to be a man of action, or to live a more contemplative life. Or can a writer do both?

‘I wrote more to occupy my time and because writing was an activity suited to my hyperactive imagination and love of language, than to learn about Japan.’

Helena Drysdale explains how a family connection and a difficult recovery from cancer led her to Greece and to considerations of imperialism in travel writing.

Nicola Baldwin notices the absence of playwrights taking up Artistic Director roles in theatres, and explores the potential advantages of a “roll-your-own” theatre company.

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