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Amanda Mitchison shares the ways she’s entwined with Scottish history, and how one of Scotland’s great historical outrages reached through time to shape the course of her novel.

Lucy Moore explores the challenges of choosing a subject, the dangers of identifying too closely, and how she looks for stories that both allure her and also urgently need telling.

As a writer of novels set in the past, Katharine McMahon has come to realise that the preoccupations she addresses in her fiction are also those of the present day, and that the distinction between ‘historical’ and ‘contemporary’ fiction may have outlived its usefulness.