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Helena Drysdale explains how a family connection and a difficult recovery from cancer led her to Greece and to considerations of imperialism in travel writing.

Nicola Baldwin notices the absence of playwrights taking up Artistic Director roles in theatres, and explores the potential advantages of a “roll-your-own” theatre company.

‘You believe that ‘C’ is The End, and that means you’re staying put when all you want is to go.’