You might also like:
Marcy Kahan describes how a sudden, unexpected mid-career dip led her to playwriting manuals, while maintaining a ‘respectful ambivalence’ towards the genre.
Zoë Marriott explains how character is the North Star that steers her journey through each new fantasy novel, shaping every aspect of setting and story.
Cynthia Rogerson contemplates the literary spurs of exile and outsiderhood, wonders whether she would have written any novels if she’d simply stayed at home in the USA, and explains why being a writer is easier in Scotland than in California.
Brian McAvera considers what we’ve lost in favouring naturalistic, TV-esque theatre over the wider and deeper possibilities offered by non-naturalism.