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Marcy Kahan describes how a sudden, unexpected mid-career dip led her to playwriting manuals, while maintaining a ‘respectful ambivalence’ towards the genre.

Zoë Marriott explains how character is the North Star that steers her journey through each new fantasy novel, shaping every aspect of setting and story.

Marcy Kahan speaks with Gabriel Gbadamosi about rejecting the overly literary via her inner clown, writing urbane romantic comedies for radio, why fascists hate satire, and her long-running series Lunch.

Helena Drysdale explains how a family connection and a difficult recovery from cancer led her to Greece and to considerations of imperialism in travel writing.

Nicola Baldwin notices the absence of playwrights taking up Artistic Director roles in theatres, and explores the potential advantages of a “roll-your-own” theatre company.

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