‘Go to Paris. The boat train leaves from Victoria. Remind yourself how to play. Two: there is no need to get hysterical when things aren’t working.’
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Kevin Clarke speaks with Frances Byrnes about playwriting as an essential dramatic apprenticeship, completing his education as an adult, and how his dramatic subjects choose him, rather than the other way around.
Stanley Donen’s 1967 film Two for the Road enchanted the fourteen year-old Marcy Kahan with its sophisticated humour and daring confrontation of social taboos. But would it seem as good the second time around?
‘The problem when you start writing seriously is that no one can really tell you how to do it.’