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Kevin Clarke speaks with Frances Byrnes about playwriting as an essential dramatic apprenticeship, completing his education as an adult, and how his dramatic subjects choose him, rather than the other way around.

Stanley Donen’s 1967 film Two for the Road enchanted the fourteen year-old Marcy Kahan with its sophisticated humour and daring confrontation of social taboos. But would it seem as good the second time around?
Plot is often the hardest thing to get right when starting a novel, argues Beatrice Colin, but surely (as F. Scott Fitzgerald is said to have remarked) plot and character are inseparable? She outlines some of her own strategies for getting to grips with the story.