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‘Reading as a writer and not just as a reader is a different experience, both richer and less carefree; instead of simply enjoying the ride now you are paying attention to the mechanism that makes it possible’
‘She declared Thomas a filthy-mouthed heathen, a drunk and a womaniser to boot, and my cherished copy of Under Milk Wood went into the Room 101 of the Convent.’

Catherine O’Flynn dissects her enthusiasm for failed utopias, such as the ghost real estate ventures of the Spanish Riviera, and the influence of growing up surrounded by the 'bizarre and melancholy landscaped public spaces' of Birmingham.

Siân Rees takes us to Asunción in Paraguay, where magical realism makes sense and ghosts haunt the landscape and the imagination.