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Pascale Petit recounts how the sudden re-emergence of her long-absent father triggered both a sense that she’d discovered the material for her new book, but also a complete inability to write it.
Penny Hancock explains how a professional setback and a series of personal losses led her to decide to give up writing completely - and how the unusual life story of an elderly relative provided two kinds of inspiration for starting again.
Ruth Thomas explains how the publishing industry went cool on her genre, and how a 60p discovery at a charity book fair helped her regain her mission and extend her range.
Mimi Thebo considers the myriad ways writers can fail, and describes how she came back from failure, and before that, from something even more serious.