‘I have a new book, and it will be a proper book, with covers, written on paper; people our vintage, we like paper, don’t we? Let’s admit it, we bloody love the stuff.’
You might also like:
Julianne Pachico speaks with Caroline Sanderson about growing up in Colombia at an unstable and threatening time, how horror and suspense fiction have influenced her work, and how she marries the demands of teaching creative writing with those of producing her own work.
Paul Dowswell speaks with Catherine O’Flynn about the constraints of the publishing industry, the importance of drama in the stories you choose to write, and what he wants to convey to young readers about zealotry and totalitarianism.
‘When I switched from adult fiction to YA, I was suddenly and acutely more aware of my readers than I had been before.’