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Lucy Flannery confesses to an out-of-control obsession with stationery, explaining that every notebook and index card has a role in her creative process and reminding us that nothing is ever really thrown away when you’re a writer.

Alexandra Benedict considers the many different modes of sensory perception (including her own intriguing experience of synaesthesia), and explores how the senses can make their way into writing.

‘My early plays were all set in London. It was what I knew. London fascinated me. Who were these city dwellers? ‘
‘The disaster of Mum’s dementia was aggravated by the death of a beloved dog, and a love affair that soured. Being placed as a Royal Literary Fund Fellow was a joy.’
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