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‘First I get the central character. Then two ideas I thought were completely separate suddenly collide, revealing themselves to be part of the same story.’

Cynthia Rogerson speaks with James McConnachie about ensuring realism in her novels, disliking positive discrimination, and putting up with having her serious novels packaged in chick-lit covers.

‘It’s never been clear to me what’s meant to happen in that bottom drawer. Will your manuscript magically rewrite itself? ‘
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