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‘For me, writing real stories or stories based on truth is a more responsible job; it requires skill and authenticity.’
‘When I first heard a poet read, in a chemistry laboratory at Newcastle University, he was Ted Hughes; his gruff Yorkshire voice threw me onto a frosty moor.’

Julia Copus explores the way that poetry, through its control of language, can influence the perception of time.

Basir Kazmi considers the ‘stage of the mind’, and whether the real measure of a playwright is the script as written word.