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Sue Teddern speaks with Bethan Roberts about her varied writing career in magazines, radio, TV and fiction, and the need for realism when dealing with the unavoidable constraints of commercial writing.

‘Draft two is actually known to the world as draft one. It’s the draft that my agent or my producer will read.’
‘At awards season, scripts of newly-released films find their way online as studios and agents quietly upload PDFs of screenplays as part of their Oscars’ push. ‘
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