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‘Last year in a screenplay a woman I had expected to be a big supporting character though to the end was shot dead without warning twenty minutes in.’

Kevin Clarke speaks with Frances Byrnes about playwriting as an essential dramatic apprenticeship, completing his education as an adult, and how his dramatic subjects choose him, rather than the other way around.

‘I like to honour a new project by going on an adventure into it’s world. I like a sudden immersion, a baptism of fire.’