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‘Planning and plaiting the story strands can seem like just more hardcore displacement activity, until you don’t do it.’
‘Last year in a screenplay a woman I had expected to be a big supporting character though to the end was shot dead without warning twenty minutes in.’

Kevin Clarke speaks with Frances Byrnes about playwriting as an essential dramatic apprenticeship, completing his education as an adult, and how his dramatic subjects choose him, rather than the other way around.