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Laura Hird speaks with Geoff Hattersley about her beginnings as a writer of bleak and gritty short stories, the real reason her first novel was written in four different voices, and how she gave her mother a literary afterlife in ‘Dear Laura’.

Kerry Young speaks with Frances Byrnes about how her early life in Jamaica influenced her novels: her father’s gangster life in Kingston and her mother’s Catholicism and ideas of redemption and Kerry’s passionate feelings about being Chinese-Jamaican.

‘Beyond the satisfaction of recording your life for posterity is the cathartic joy of pouring out your unhappiness. Nothing is so bad it cannot be written out of your system.’
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