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‘I wrote more to occupy my time and because writing was an activity suited to my hyperactive imagination and love of language, than to learn about Japan.’
‘I didn’t know how to make sense of losing her. Writing became a place of refuge. ‘

Shelley Harris speaks with Bethan Roberts about prose perfectionism and embracing the ‘dirty first draft’, the fear of ‘using up’ all your talent, other disabling myths about writerhood and the writer’s ideal superpower.

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