Jane Rogers tells George Miller about how her writing career began, about writing novels versus short stories, and the impact of suffering a brain haemorrhage.
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Laura Hird speaks with Geoff Hattersley about her beginnings as a writer of bleak and gritty short stories, the real reason her first novel was written in four different voices, and how she gave her mother a literary afterlife in ‘Dear Laura’.
Jonathan Tulloch shares the second of his gustatory delights, the heterogeneous cakes of summer, from the societal nuances of home-baked vs. shop-bought to the unfairness of selective corpulence and his granddad’s final Victoria Sandwich.
Dipo Agboluaje explains how migrating from London to his family’s homeland of Nigeria as a young boy shaped his interest in playwriting, with inspiration along the way from diverse mythologies.
Penny Hancock wonders when it's legitimate, if your professional occupation leaves you free to manage your own time and involves an activity other people do simply for pleasure, to say that writing is your career?