Jane Rogers tells George Miller about how her writing career began, about writing novels versus short stories, and the impact of suffering a brain haemorrhage.
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Laura Hird speaks with Geoff Hattersley about her beginnings as a writer of bleak and gritty short stories, the real reason her first novel was written in four different voices, and how she gave her mother a literary afterlife in ‘Dear Laura’.
Jonathan Tulloch shares the second of his gustatory delights, the heterogeneous cakes of summer, from the societal nuances of home-baked vs. shop-bought to the unfairness of selective corpulence and his granddad’s final Victoria Sandwich.
Pascale Petit recounts how the sudden re-emergence of her long-absent father triggered both a sense that she’d discovered the material for her new book, but also a complete inability to write it.
Penny Hancock explains how a professional setback and a series of personal losses led her to decide to give up writing completely - and how the unusual life story of an elderly relative provided two kinds of inspiration for starting again.