Jane Rogers tells George Miller about how her writing career began, about writing novels versus short stories, and the impact of suffering a brain haemorrhage.
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Jonathan Tulloch shares the second of his gustatory delights, the heterogeneous cakes of summer, from the societal nuances of home-baked vs. shop-bought to the unfairness of selective corpulence and his granddad’s final Victoria Sandwich.
Pascale Petit recounts how the sudden re-emergence of her long-absent father triggered both a sense that she’d discovered the material for her new book, but also a complete inability to write it.
Penny Hancock explains how a professional setback and a series of personal losses led her to decide to give up writing completely - and how the unusual life story of an elderly relative provided two kinds of inspiration for starting again.
Kathleen Jones revisits the remote hill farm she grew up on in Cumbria, and the landscape that shaped her.
Catherine O'Flynn explores the hidden spaces of Merry Hill, the suburban shopping centre where she used to work.
Doug Johnstone ponders his adopted city of Edinburgh, a literary capital that he was nervous of using as a setting for his novels.