Mick Jackson speaks with James McConnachie about the Creative Writing MA that launched his career, the creative role of the conscious and unconscious mind, and the threads uniting his diverse oeuvre.
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Kathleen Jones revisits the remote hill farm she grew up on in Cumbria, and the landscape that shaped her.
Catherine O'Flynn explores the hidden spaces of Merry Hill, the suburban shopping centre where she used to work.
Doug Johnstone ponders his adopted city of Edinburgh, a literary capital that he was nervous of using as a setting for his novels.
Cynan Jones speaks with James McConnachie about writing as a kind of imaginative remembering, the act of taking a novel from ninety to thirty thousand words in a single cut, and why it’s good to have more abandoned books in drawers than published ones on the shelf.
Laura Hird speaks with Geoff Hattersley about her beginnings as a writer of bleak and gritty short stories, the real reason her first novel was written in four different voices, and how she gave her mother a literary afterlife in ‘Dear Laura’.