Sarah Ardizzone and Euan Cameron speak with fellow translator Nick Caistor about the pleasures and challenges of rendering another writer's work into a new language — and what liberties a translator should and shouldn't take.
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Alyson Hallett luxuriates in an unusual writing week that’s actually mostly dedicated to writing, with a side serving of bonfires, friends, yoga al fresco and getting enjoyably lost in the woods.
Penny Black speaks with Frances Byrnes about teenage summers in Vienna, the shock of revisiting old contracts, and how her desire to speak perfect German accidentally led to a passionate career in writing for theatre.
Mary Colson speaks with John Siddique about the value of children’s non-fiction and the unusual constraints involved in writing it commercially, her love of writing for screen and stage, and the right way to teach writing and nurture children’s voices.