Cynan Jones speaks with James McConnachie about writing as a kind of imaginative remembering, the act of taking a novel from ninety to thirty thousand words in a single cut, and why it’s good to have more abandoned books in drawers than published ones on the shelf.
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Kathleen Jones revisits the remote hill farm she grew up on in Cumbria, and the landscape that shaped her.
Catherine O'Flynn explores the hidden spaces of Merry Hill, the suburban shopping centre where she used to work.
Doug Johnstone ponders his adopted city of Edinburgh, a literary capital that he was nervous of using as a setting for his novels.
Caitlin Davies confronts every writer’s dilemma in her audio diary: how, in a busy week, she can find enough time to write?
This episode also features two recent highlights from the Vox section of our website.
Susan Fletcher explores the experience of outsiderhood, both physical and social, and its influence on her writing, and wonders whether readers, too, are increasingly recognising themselves in outsider protagonists.
Lucy Flannery describes how an idle moment on twitter led to her accidentally writing a novel, and how the process of doing so raised old demons about her right to be an author.