Cynan Jones speaks with James McConnachie about writing as a kind of imaginative remembering, the act of taking a novel from ninety to thirty thousand words in a single cut, and why it’s good to have more abandoned books in drawers than published ones on the shelf.
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Kathleen Jones revisits the remote hill farm she grew up on in Cumbria, and the landscape that shaped her.
Catherine O'Flynn explores the hidden spaces of Merry Hill, the suburban shopping centre where she used to work.
Doug Johnstone ponders his adopted city of Edinburgh, a literary capital that he was nervous of using as a setting for his novels.
Caitlin Davies confronts every writer’s dilemma in her audio diary: how, in a busy week, she can find enough time to write?
This episode also features two recent highlights from the Vox section of our website.
Chris Arthur speaks with Cherise Saywell about the essay as a multifaceted and ‘heretical’ form, the notion of a ‘dangerously failed’ piece of work, and the encouraging fact that ‘If you can find the objects that speak to you, essays will follow’.